Tag: Psychological Thriller

Bunny by Mona Awad

Oh how I wanted to fall in love with this one. It had all the right elements of multi-generational weirdness and it seemed to be hitting all the right buttons. Heathers meets The Craft in a polished Stepford Wives wrapper tied together with some gentle hints of depression, anxiety, and smattering of substance abuse and imposter syndrome.

Bunny, however, falls short.

It kicks off wonderfully. Samantha “Smacky” Mackey is a student out of place in her graduate program at the exclusive Warren University. Her cohort consists of her own dark self, and the four “Bunnies:” Cupcake, Creepy Doll, Vignette, and The Duchess.

The Bunnies, who pretty much exist as a single unit, spend Samantha’s first year ridiculing her and, basically, breaking her down before, seemingly, embracing her wholeheartedly in their second year.

I could go more into what transpires, but, if you are going to read this one, I would hate to ruin the little bit of joy the unfurling of the chaos provides before it all falls apart.

Bunny reminds me very much of a hill I often tried to skateboard on the university campus near where I grew up. It was steep, terrifying, and seemed like a damn good idea to attempt. The first part was exhilarating, the mid starts to get shaky, and, by the time you reach the home stretch, speed-wobbles throw all control out the window and you end up wiping out across the lawn.

I went back and read parts of this book multiple times just to make sure I didn’t miss something pivotal that seemed to be driving the wrap-up. Some tropes were flexed with deft skill, and others were just slapped in the readers face like a week-old mackerel.

This is one of those books that I’m glad I read because I want to talk about it with others who have read it. I’m all about unhinged fiction with a “weird” slant, but, at the very least, hold the story together.

The 22 Murders of Madison May by Max Barry

Murder and the multiverse. Yeah, that just about boils it down. This seems like a pretty simple premise, but the elegant word- and world-smithing of Mr. Barry are what make The 22 Murders of Madison May such an enjoyable read.

The novel opens with New York real estate agent Madison May getting brutally murdered by a client she is showing a house to, and the details, ludicrously, don’t make any sense.

Enter reporter Felicity Staples. Felicity is gathering the details on the senseless murder and seeing more and more that nothing is making sense, and the killing seems pretty random. Then she spots the killer on the subway and watches as he vanishes.

This is where things get really weird. Felicity seems to have slid into a different New York City. There’s been no murder of Madison May and details in Felicity’s life are just a little bit off. Then, this universe’s Madison May, an actress, is murdered.

From here, Felicity takes it upon herself to find the killer, and she runs into a few individuals who understand what is going on and are hunting the killer as well. Now, Felicity is jumping from universe to universe uncovering more and more clues and trying to reach a point at which she can stop the killer and Madison May can live.

This wasn’t my favorite of Mr. Barry’s work. Perhaps by design, I found it a tad disjointed compared to some of his other efforts. The worldbuilding is very well done, but I just didn’t find the world all that compelling. There are certain details that seem to have been watered down in editing, and that kinda bugged me. Don’t get me wrong, The 22 Murders of Madison May is a suspenseful read, I just wanted more out of it.