Tag: Young Adult Science Fiction

The Unbound (The Archived #2) by Victoria Schwab

I’m not really sure why I never got around to reading this wrap-up of the Archived duology. Two years ago I read book one and then flitted off to something else before picking up number two.

Boy was that dumb.

The Unbound continues the story set up after the hyper-dramatic end of The Archived. Mackenzie Bishop is still a Keeper trying to keep violent Histories in their place, but The Unbound adds the bonus of poor Mac having to start her junior year at Hyde School: a very posh and very small private school where she knows absolutely no one (or so she thinks).

When people Mac glances into start disappearing, she and Wesley start digging into what could possibly be going on. All this along with Keeper work, school work, and juggling new friends.

Then it all starts to get really interesting, and we are all left to wonder if Mac might be losing her mind.

The marvelous thing about The Unbound is that it immediately picked up right where The Archived left off. Even though I had a two year gap between reading the two books, The Unbound just flowed perfectly in to place.

The main reason for this is that Ms. Schwab truly is a master of her craft. Her ability to quickly build and establish fantastical worlds with multi-dimensional characters is really an amazing gift. Rather than rest on the laurels of an amazing set of characters introduced in The Archived, Ms. Schwab expands the tableau with another smattering of very well-developed individuals; fully formed with charisma and depth. Basically, The Unbound is everything perfect about The Archived with an added bonus of all the toppings.

I would really love to have more Mackenzie and Wesley adventures in the future, but we’ll just have to see what happens.

Victories Greater Than Death (Unstoppable #1) by Charlie Jane Anders

I cannot get over this book. I picked it up because Ms. Anders has some serious Sci-Fi chops, the premise sounded interesting, and, duhhh, it’s YA Space Opera. What I got, however, was unlike anything I have ever read.

The basic story is that our protagonist, Tina Mains, is not just the typical teenager. She contains a interplanetary rescue beacon in her chest and is fully aware that, some day, it will be activated and her destiny as an alien disguised as a human will be unveiled.

As you can imagine, the time arrives and it is so much bigger than Tina could have anticipated. It turns out that Tina is the disguised copy of the galactic legend Captain Thaoh Argentian, and the Royal Fleet is relying on restoring Captain Argentian to help save the galaxy. Naturally, things don’t go as planned and Tina is really just turned into “Space Wikipedia.”

The very real threat, however, is not stopping, so Tina, her best friend Rachel, and an incredible crew of various alien races now have to figure out a mysterious puzzle and beat the horrible Compassion to gaining potential god-like powers.

There were several things about Victories Greater Than Death that struck me. First off, I’m not sure I have read a work that was so incredibly inclusive and sensitive to, well, just about everything. I understood, from the acknowledgements, that Ms. Anders employed a crew of sensitivity readers, and that is incredibly apparent. Even in the face of some pretty harsh speciesism, the story manages to be incredibly respectful.

The second thing that struck me was the incredible thought given to the people and places of Victories Greater Than Death. Alien races are presented with history and character/physiological traits that are oft referenced and really fine-tune the characters in a deft and refined way. Where many authors use an aside to describe alien morphology, Ms. Anders weaves these traits into the presentation of inter-character conversations.

Thirdly, was the action description. I have mentioned before how in awe I am of authors who can orchestrate battles where nothing seems to get lost in the telling, and Ms. Anders is a total natural. There is some serious action in Victories Greater Than Death, and it is presented in white-knuckled, amazingly detailed glory. This is a writing trait that I absolutely adore.

Lastly, for YA, Victories Greater Than Death tackles some seriously heavy subjects without getting preachy or letting the emotional themes detract from the greater story. In fact, it is these themes that really help propel the story as well as bond the reader with the characters. This is literary magic not often wielded well.

The one thing that I’m disappointed in is that I am now going to have to wait FOREVER for Unstoppable #2 to come out.

TRUEL1F3 (LIFEL1K3 #3) by Jay Kristoff

Mr. Kristoff has an uncanny ability to suck readers into his elaborate world and then leave them hanging on every word until the series is complete. He has done it — again — masterfully in TRUEL1F3, the conclusion of the LIFEL1K3 series. One thing I have absolutely loved about this series is how the character focus one-hundred percent flipped in the midst of book two (well, probably some in book one as well, but that’s going to have to be a deeper dive). For the most part, TRUEL1F3 is all about Lemon Fresh and the resolution of the unlocking of the Myriad supercomputer and the secrets of the Libertas code. Oh, there’s a corporate war getting pretty hot, too.

Let’s just say, there is a whole lot of story packed into these 480 pages.

For me, LIFEL1K3 was a roller coaster of a book, but DEV1AT3 tended to drag a little. The story was still very amazing, but it definitely feels like the bridge of the trilogy. I was a tad worried that TRUEL1F3 might fizzle, but now I see that DEV1AT3 positioned all of the pieces for the wallop that TRUEL1F3 delivered. While I very much appreciate the dynamic between the technologists, the biotech-heads, the lifelikes and the freaks; the storyline that intrigued me the most was the Libertas virus and how much the implications of it distress Cricket.

This book definitely gets far more emotional than the previous two, but I guess that was to be expected in the finale of a series with a pretty emotionally-charged core storyline. This one worked pretty well, though. More often than not, post-apocalyptic dystopian semi-cyberpunk relies wholly on the tech and confrontations rather than delve into the humanity (or meta-humanity) of the characters. For me, this entire series is about how the concepts of humanity can transcend the technology, and Mr. Kristoff has a solid track record of writing amazing inter-character relationships.

Did I imagine I would get teary-eyed about the super-emotional interaction between a girl and her giant warbot best friend? No, but that’s where we ended up.

Pick up this series. It’s a quick read and well worth it.

Star Wars: The High Republic Chapter Sampler by Justina Ireland & Claudia Gray

First off, thank you so much to NetGalley for giving me the opportunity to peruse these first few chapters of Star Wars: The High Republic lit. It is a tad hard to describe my fandom with Star Wars other than omnivorish. Over the last few decades, I have consumed any and all Star Wars novels, junior adaptations, comic books, etc., and I have been very excited to see how Disney Books was going to be approaching the new “High Republic” timeline.

First up was a few chapters from Justina Ireland’s A Test of Courage. This junior-aimed novel, set a couple of centuries before the events of The Phantom Menace, follows the young Mirialan Jedi Vernestra Rwoh (don’t call her Vern) as she escorts Senatorial daughter Avon Starros (a precocious inventor) to the unveiling of a new space station: the Starlight Beacon.

Being a junior novel, the fare is pretty lighthearted, but quite engaging just from the small sample that I was able to read. You definitely get a grasp of the primary characters’ personalities quite quickly, and I’m quite excited for the full release.

Next in the sampler was Into the Dark by Claudia Gray. Ms. Gray is no stranger to the Star Wars Universe having written such great story bridges as Bloodline, Lost Stars, and Master & Apprentice.

The start of Into the Dark is no different. The Reader definitely gets a feel for the tone right off the bat with the introduction of the primary character: Padawan Learner Reath Silas.

Reath is being sent off to the Starlight Beacon a part of a Jedi delegation for the unveiling of the space station. Tagging along are Jedi Orla Jareni and Jedi Cohmac Vitus who have previous experience in the area where Starlight Beacon is being built. At least a portion of the sample provided jumps into a flashback of them on a mission there twenty-five years before the current adventure takes place.

By far my favorite characters introduced in this short excerpt are the transport pilot, Leox Gyasi, and his apprentice/copilot Affie Hollow: both from the Outer Rim-situated Byrne Guild. Both of these characters, along with their navigator Geode, bring some fantastic levity and opportunity for some real mirth.

I think the true underlying “star” of the entire run of The High Republic releases is going to be the mysterious “Great Disaster.” There is some hinting to it in what we had to read from Into the Dark, but, like a good sampler, the reader is just left wanting more.

I, for one, cannot wait.

Ready Player Two (Ready Player One #2) by Ernest Cline

I have to preface this review by saying that I really really really enjoyed the intrigue, high tension, pop culture nerdery and all the oodles of easter eggs that Mr. Cline dropped into the first book. That was some prime world and character building.

This effort, however, just doesn’t get out of the gate, and I think the editorial team is who is ultimately to blame.

Ready Player Two opens with the High Five having taken over GSS and setting everything in motion to advance technology and provide a more realistic experience in the OASIS thanks to another discovery of some tech that Halliday created before his death.

Where everything starts to tumble is when we drop into what I like to call “poor Wade” mode. I’m not going to go into a lot of it because it was a complete drudge, but the most infuriating part of the entire first half of the book was the complete overuse of foreshadowing, and a total lack of action. This is what was most disappointing: Ready Player One was all about action and survival while Ready Player Two presents us an OASIS-addicted hermit with a shitty attitude and a rigorous workout regime.

In the second half of the book, however, we go back into quest mode and the reading becomes enjoyable again. Once again we have the pop culture mega-nerdery with tricky puzzles and strange quest fights, and all is right with the world. The problem is, half of the readers have already rage quit the book before getting to this halfway point.

Honestly, the first half of the book could have been summarized in just a couple of chapters. Hell, it could have all been done in an introduction; and a good editor would have pointed that out.

Ready Player Two is a huge case of an author overestimating the patience of his audience. I pray there is no Ready Player Three.